The wonderfully Weird WOrld of Gumball (2025)

Animation Supervisor @ Studio Soi

2D-3D hyrbrid series - 40 x 11 mins - Hulu x Hanna-Barbera Europe

  • Managing a team of 18 rough animators and 2 leads.

  • Briefing animators, providing resources, direction and support.

  • Creating time bids for shots and assigning workloads to fit the schedule.

  • Reviewing all shots to give technical and creative notes and drawovers.

  • Attending episode launches with Directors and Producers.

  • Cross-communicating with all departments to ensure a smooth pipeline.

  • Troubleshooting and solving issues with scenes, assets and rigs.

  • Providing briefing notes for the Clean department.

  • Creating an animation bible to explain the show style.

Vanishing Point (2026)

Storyboard Artist @ Kavaleer

2D series - 26 x 22 mins - BBC Studios x Kavaleer Productions

  • Turning scripts into storyboards using Storyboard Pro.

  • Pitching thumbnails to Supervisor.

  • Providing rough panels for feedback then cleaning panels .

  • Timing animatics to vocal tracks.

  • Applying feedback from the Supervisor and Director.

  • Working to tight deadlines.

Hazbin Hotel (2019-2024)

Rough Animator @ Spindlehorse

2D series - 8 x 30 mins - Amazon Prime x A24

  • Animating traditionally in Toon Boom Harmony.

  • Achieving episodic quotas to tight deadlines.

  • Handelling detailed and intricate character designs.

  • Applying feedback from Animation Directors and Leads.

THE HEROIC QUEST OF THE VALIANT PRINCE IVANDOE (2022)

Animation LEAD @ SUN CREATURE

2D series - 40 x 11 mins - Cartoon Network x Hanna-Barbera Europe

  • Managing a team of 8 rough animators.

  • Briefing animators, providing resources, direction and support.

  • Creating time bids for shots and assigning workloads to fit the schedule.

  • Reviewing all shots to give technical and creative notes and drawovers.

  • Attending episode launches with Animation Director and Showrunner.

  • Attending rigging meetings and providing feedback on assets and rigs.

  • Briefing the layout pose artist for creating key poses ahead of episodes.

  • Creating re-use cycles and poses to ensure consistency across episodes.

TMNT x Hello Kitty McDonald’s Advert (2025)

AnimatoR @ Golden Wolf

2D advert - 30 seconds - McDonald’s x Weiden + Kennedy

  • Following the brief provided by the Director and Lead.

  • Sticking to a tight schedule.

  • Animating in two different styles, respecting IP brand guidelines.

  • Digesting and applying feedback.

Hey A.j.! (2024)

Senior Animator @ Surfing Giant

2D series - 40 x 11 mins - Disney x Surfing Giant Europe

  • Animating with advanced Toon Boom rigs and master controllers.

  • Working in two contrasting styles: realistic and cartoony.

  • Applying feedback from Leads and Animation Directors.

  • Achieving episodic quotas on schedule.

Not A Box (2023)

Senior AnimatoR @ Passion Pictures

2D series - 40 x 11 mins - Apple TV x Passion Pictures

  • Working with advanced Toon Boom rigs and textures.

  • Handelling long shots with multiple characters.

  • Applying feedback from Animation Directors and Leads.

  • Achieving episodic quotas to tight deadlines.

HELLUVA BOSS (2019-2026)

Rough Animator @ SpindLEhorse

2D series - 12 x 22 mins - Amazone Prime x Spindlehorse

  • Animating traditionally in Toon Boom Harmony.

  • Achieving episodic quotas to tight deadlines.

  • Handelling detailed and intricate character designs.

  • Applying feedback from Animation Directors and Leads.

Isadora Moon - Pilot (2022)

Animation LEAD @ Kelebek Media

2D series - 52 x 11 mins - Sky Kids x Kelebek Media

  • Managing the animation for a proof-of-concept animated short.

  • Meetings with the Directors to understand their vision.

  • Giving feedback to animators and riggers.

  • Finding the animation style and ensuring it’s consistent.

  • Animating Toom Boom character rigs and traditional FX.

Powerbirds (2018-2020)

Animation LEAD @ Brown Bag Films

2D series - 52 x 11 mins - Universal Kids x Brown Bag Films

  • Developing the style of the show, including FX.

  • Assisting rigging with building of master controller rigs.

  • Participating in episode launches with the Animation Director.

  • Organising teams, time bids and assignments.

  • Assisting and checking in with animators.

  • Reviewing and providing drawovers and notes for each shot.

  • Animating cycles, poses and templating for a re-use library.

Nella The Princess Knight (2016-2018)

Animation Lead @ Brown Bag Films

2D hyrbrid series - 52 x 11 mins - Nickelodeon x Brown Bag Films

  • Participating in episode launches with the Animation Director.

  • Organising teams, time bids and assignments.

  • Assisting and checking in with animators.

  • Reviewing and providing drawovers and notes for each shot.

  • Animating cycles, poses and templating for a re-use library.

FatFace - Where I Belong (2023)

AnimatoR @ Seed Animation

2D short film - 2 mins - FatFace x Shelter

  • Meeting with Directors to discuss their vision.

  • Providing rough animation.

  • Animating retakes base on client feedback.

  • Achieving quota on-schedule.

Pencilmation (2021)

AnimatION LEAD @ Pencilmation

2D series - 10min episodes - Pencilmation

  • Animating full episodes based on storyboards.

  • Adding and contributing gags and ideas.

  • Applying feedback from the Animation Director.